Learning From Tribute Bands
A popular form of entertainment in the resort towns of Mexico is tribute bands and singers.
Often they work as the entertainment on cruise ships from Canada and the US and then when the ship docks for a few days at a port they perform in local nightclubs. Some even stay for a few weeks or months and play in the port or venture inland to places like Guadalajara or even Ajijic.
Mexican entertainers have noticed there is a market for tribute bands and singers mostly, but not completely, with Expat retirees. The Expat audience likes the familiar lyrics of tribute bands, the songs they grew up with, and the costumes, choreography, and special effects tribute artists often bring with them.
Because Ajijic and Chapala are relatively close to Puerto Vallarta and have a large Expat population, they are good markets for tribute bands so we get our share. None of the bands that have been through here are bands I know and love from the states, like Militia Vox and the Judas Priestess Band or the Doors tribute band Peace Frog, but I get to meet new bands and new people.
We recently had a weekend of tribute artists. A local concert series, the Concerts on the Lawn produced by a local promoter Steve Balfour, brought Roy Gomez Cruz as Freddie Mercury, Maru Prado Conti as Lady Gaga, and Tonny Kenneth as Prince.
Seeing the three tribute artists together here, after years of seeing individual tribute bands in LA gave me a new perspective. Tribute entertainment is hard work. And you have to be yourself, not just a pale copy of the artist you are paying tribute to.
Militia Vox and her band Judas Priestess pull it off well, but of course, they have a head start because they are not going to ever be Judas Priest – they are females, paying tribute to an all-male band. They are all superb musicians and can play every note exactly like Ian Hill and Glen Tipton and the rest of the revolving Judas Priest crew played them. But they don’t. They don’t copy the band. They internalize the Judas Priest attitude and vibe and use it to produce awesome music that connects with the audience and blows the roof off of clubs from New York to LA.
Peace Frog, the LA-based Doors tribute band does the same thing. Bandleader Tony Fernandez does not copy Jim Morrison. He brings the magic of Jim Morrison and the Doors to the audience. He allows them to groove to “Light My Fire” and Whiskey Bar” with his own intensity wrapped up in the image of Jim Morrison and the Doors.
Roy Gomez did the same with Freddie Mercury this weekend. But he did it a while facing a more difficult challenge. Mercury mesmerized thousands through not only his music but his total show and his affirmation of the sexuality of much of his audience – something Gaga also does with her salute to the Little Goblins at her concerts.
But the audiences outside of the clubs in Puerto Vallarta are mostly retired Expats from the US and Canada, a far cry from the young, diverse crowds Mercury entertained and that Gaga entertains now. So it was a pleasure to watch Gomez not only present Freddie Mercury but stroll through the audience flirting, and cajoling and oozing the Freddie Mercury spirit while adding his own twist to it. All of which made me think, why do I enjoy tribute bands so much? Why does anybody?
The music is familiar. The tribute show can bring back happy memories if we saw the original and can remember it. We appreciate (or don’t) the authenticity and artistry of the tribute performers. And of course, it is an opportunity to suspend belief and just have fun, the reason so many people love to go to the movies (when we had them) and watch romantic comedies.
I would not have seen this aspect of the tribute artistry if I had not attended the Royals concert this weekend. Not only was it fun, but I learned something, the perfect combo.
