You are here:  / Columns / Indie / LA LA Land / LA La Land: Christmas in Mexico: quiet, but then there is Mariachi

LA La Land: Christmas in Mexico: quiet, but then there is Mariachi

La La Land 1.9.19 | Christmas in Mexico: quiet, but then there is Mariachi.

The Music Friday Live Radio team is back from its Christmas vacation in Mexico where we absorbed local culture and a little local music. I say “a little ” because Christmas in Mexico – at least in Chapala, the lakeside town we were in about hour from Guadalajara in the central mountains – is very quiet over Christmas.  School is out, families travel, bars, and venues close. On Christmas eve (Nochebuena) the local churches host a live Nativity celebration in which local children and their parents play the characters of the Christmas story – Jesus, Mary Joseph, the three kings, the angels. Live animals are also part of the scene, which began with a parade from the central plaza to the church yard. After viewing the tableaus of various Christmas scenes created in the Church yard by local people in costumes, the village goes to mass. Family gatherings follow.

Also, “quiet” is a relative term because Mexicans love to celebrate everything, including Nochebuena, with fireworks.  Live music is rare during the holiday week, but there are plenty of skyrockets, cherry bombs and family dinners and parties, often spilling out onto the cobblestone streets.

Guadalajara is a different animal. A young, rich, high tech, sprawling area of about 5 million including  adjacent towns like Zapopan, it is also the capitol of the State of Jalisco. With low unemployment, a literacy rate of 98%, many local universities and colleges spread out over its 58 square miles crisscrossed by freeways, Guadalajara resembles LA in many ways, including a large number of music venues.  It also is the home of FIMPRO, the Latin Music Convention, hosted by the Universidad de Guadalajara which occupies multiple campuses around the city.

We headed for the Distrito Americana (named for the location of the American Consulate), clustered around Avenida Chapultepic which is lined with nightclubs, restaurants, music venues, hotels, museums, galleries, bars and a theme park.  The 8-lane Avenida is divided by a wide, tree-lined median the center of which at night is filled with food and liquor stalls, strolling bands, line dances, and party goers. Many US and European-based bands play at the Guadalajara clubs along Chapultepic  with names like CH3 Rooftop, Legends of Rock Video and Hudson’s.

Unfortunately, we were not able to rock out in the Chapultepic music scene because it was Christmas and most of the clubs were either closed or did not have bands.  So we took advantage of another of Guadalajara’s musical assets – Mariachi.

There are disagreements over where Mariachi began.  Some say Mexico City, others say Chapala, others say it was already in the indigenous music when the Spaniards arrived and added European instruments.  My preference – with no evidence – is that modern Mariachi with the distinctive Charro outfits and sombreros, started in the El Parian restaurant hall in the Tlaquepaque neighborhood of Guadalajara. El Parian is a sprawling indoor/outdoor food court with restaurants, a central stage, and roving Mariachi bands ranging from quartets to an all-female full band of over 20 musicians.

We decided to sample one of the offshoots of Mariachi – which has many offshoots, including rap, blues, and a Smiths/Morrissey Mariachi tribute band – a Mariachi opera at one of Guadalajara’s landmark venues, Teatro Diana. We saw Cruzar la Cara de la Luna, a Spanish language  Mariachi opera about a Mexican man who travels north seeking work, and the family he leaves behind. The opera itself was preceded by a hour-long set of multiple Mariachi bands –50 players in all – who each performed separately and then wove their music together with male and female singers.

Cruzar la Cara de la Luna is the first opera written for Mariachi by Pepe Martínez and Leonard Foglia and commissioned by the Houston Grand Opera.  At its peak there were 60 artists on stage in the Teatro including Mexico’s renowned Mariachi Nuevo Tecalitlán and Mariachi Juvenil de mi Tierra. The story was heart-wrenching but very topical and received a standing ovation.

Back in Chapala the next day and still looking for music I was introduced to Gary Trego, pedal steel guitarist with the band Tall Boys, a classic western/rock band formed by a group of A-list players and sidemen who met each other in Chapala and now make their home in various villages around Lake Chapala.  


I was not able to catch one of their gigs – missed it by a day and left before the next one – but Trego pulled up a recent video, On Your Own,  that they produced to memorialize a number of musicians who have passed on.  I promised next visit I would coordinate with their performance schedule, and of course, the lineups in Guadalajara.  But now, we are back in La La Land and heading for the clubs.

Until next time!

Patrick O’Heffernan, PhD., is a music journalist and radio broadcaster based in Los Angeles, California, with a global following. His two weekly radio programs, MusicFridayLive! and MusicaFusionLA are heard nationwide and in the UK. He focuses on two music specialties: emerging bands in all genres, and the growing LA-based ALM genre (American Latino Music) that combines rock and rap, blues and jazz and pop with music from Latin America like cumbia, banda, jarocho and mariachi. He also likes to watch his friend drag race.

Shutter 16 Magazine:

Tune In To Our Podcast: