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A Sweetish Tune by Noctambule: a must have for fans of Irish music – traditional and experimental

Patrick O’Heffernan

(Chapala, Mexico) For fans of traditional Irish music, A Sweetish Tune by the duo Noctambule is a must have. This long awaited second album by Marla Fibush and Bruce Victor, who produce and record under the nomme de music Noctambule, builds on their previous releases, The Waking and Travel In Shadows, but goes far beyond them with heavenly mandolin and mandola finger picking by Fibush that perfectly blends and harmonizes with Victor’s 6- and 12-string guitar melodies. They don’t create music, but a visual adventure through the Irish countryside and the people who have lived there over the centuries.

At nine songs, the album seems diminutive on the surface, but Victor and Fibush have slipped a little Irish humor in the arrangement, as most of the album’s songs are combinations of two or even three tunes, giving the album a richness that overflows with emotion, imagery, and sparkling cleverness. The album opens with “Patty Canny’ Toast,” a Charlie Lennon composition from County Leitrim, that swirls hypnotically with mandolin and 6-string threads interweaving almost invisibly. They drop the invisibility cloak for “Bold Doerty/Bill Hart’s Jig,” ostentatiously traversing two genres in a mashup that is altogether more than the sum of its two parts. Ostentatiousness continues with “The Creel/The Sweetheart Reel,” a familiar Irish story of illicit love, but with a 33-foot ladder thrown in for fun, as sung by Marla in this version of Ballad #281 from Francis James Child’s 19th century collection.

Fibush continues her musical tale-telling with “Trip to Skye” by J. Whelan and “The Good Doctor,” her own creation that ingeniously changes keys throughout. “Blind Mary” combines with “Cold Missouri Waters” in a tale we have heard in many variations, this one with the mandolin, 6-string and tenor guitar with Victor laying downs the lyrics in a ghostly voice. “Blind Mary” is my personal favorite, with a refrain – some would call it a hook – that sticks with you.

The pace again picks up with “The Cloone/ March Reel/The Abby Reel” which brings in the resonance of the 12-string, and the baroque “Mister O’Conner” combined with the singular “The Broken Pledge,” played delicately but fiercely on the mandolin, mandola, and cittern.

The pair wrap up the album with two of their own creations, “Song of the Wave” drawn from Khalil Gibran’s poetry sung by Fibush with harmony by Victor, and the title song, “A Sweetish Tune” featuring Aryeh Frankfurter on the nyckelharpa, a traditional Swedish musical instrument played with a bow with keys attached to tangents that serve as frets to change the pitch of the string.

“A Sweetish Tune” will delight the legions of traditional Irish music and excite those who like to see boundaries pushed. Noctambule’s world class musical artistry on modern and traditional instruments combined with their willingness to experiment with an ear for what sounds right, make this a must-have album from a must-follow musical couple.

Patrick O’Heffern, host of Music Friday Live! And MusicaFusionLA radio

Noctambule  http://www.noctambulemusic.com
A Sweetish Tune available on CD Baby or on the website.

Patrick O’Heffernan, PhD., is a music journalist and radio broadcaster based in Los Angeles, California, with a global following. His two weekly radio programs, MusicFridayLive! and MusicaFusionLA are heard nationwide and in the UK. He focuses on two music specialties: emerging bands in all genres, and the growing LA-based ALM genre (American Latino Music) that combines rock and rap, blues and jazz and pop with music from Latin America like cumbia, banda, jarocho and mariachi. He also likes to watch his friend drag race.

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